There is a particular kind of light that arrives in early spring—soft, diffused, and slightly unsettled. It doesn’t fully define the landscape, but lingers between clarity and transition.
April Sky emerged from that space.
Part of the GeoFlora series, the painting continues my exploration of landscape as a field of colour, movement, and transformation. Using a layered, fluid process, the surface develops through accumulation—where pigment moves, settles, and forms shifting structures over time.
In this work, that energy is held in a quieter balance. An open sky rests above a denser, more active foreground, creating a composition that feels both grounded and atmospheric.
Rather than describing a specific place, April Sky evokes a sense of space—something familiar, but not fixed.